Audio Production

Learn more about our audio options.

Music Production

We cover the whole musical process for your single or full length album. From recording to mixing to mastering, our Senior Audio Engineer, Derek, doesn’t miss a beat.

Our facility has several different rooms that we utilize to find the exact right space for your recording. Whether you have a 7 piece band or are a solo artist, we would be honored to help you record your music in a relaxed and enjoyable environment. 

We also work with Peter Ratner for mastering if a client would like a second set of well-trained ears on the project.

Radio Commercials

We have extensive experience recording and mixing radio commercials. We work with the largest agencies in the state and beyond, and we can work directly with you in writing, recording, mixing, and mastering your project to make it sound its best. 

Voice-Overs & Podcasts

We provide high quality recordings for voice-overs or podcasts, and offer editing and mixing services as well.

Check out our podcast with Amplify Alaska for an example of our work!

Film Sound Design (ADR)

Frostline is fully set up for ADR sessions, whether the director is in the room or calling in from across the globe. For virtual directing on an ADR session, we use our livestreaming rig to send real time audio from Pro Tools, video of the talent, and video of the picture lock.

Some of our ADR clients include: Bento Box (The Great North on FOX), Red Bull Media House, ABC, BBC, PBS, and more.

Studio Rates

At Frostline, we have flexible rates depending on your budget and size of project. We want to support the music and film community here in Anchorage while bringing top-notch quality to your projects!

Please reach out to chat with us about what’s possible.


Listen to some of the music that we’ve had the honor of working on.

Kodi Hannah – All songs produced, recorded, and mixed here. Mastered by Peter Ratner. 

Casey Smith Project – Album Lose Face mixed and mastered here. 

Dumile – Songs mixed and mastered here. 

Neil Robertson – Song “Ebb & Flow”  mastered here. 

Step inside our office….

And listen to the Spenard Jazz Messengers perform Elena Lukina’s “Latin Rose” in our tracking room!

Or jam out to “Dancing on the Words” performed live in our tracking room by Ashley Young!

Sound Design

We have extensive experience in mixing audio for short and feature length films for both national and international distribution.

In 2018, we got the chance to mix Boneyard down in California at Skywalker Sound!

We also had the privilege of mixing the film Granted–directed by Dan Redfieldand its original soundtrack, which is currently available on Amazon Prime Video.

Check out our space!

Gear List


  • Bock FET LDC
  • Neumann TLM 103 (2)
  • AEA r84
  • AKG C 460b
  • WA 47 
  • Sennheiser 421 (3)
  • Shure SM7b (2) 
  • Cascade Fathead Ribbon (2)
  • Various other Dynamic Microphones from Shure, SE, EV, and Audix
  • Preamps/Outboard Hardware:
  • AMS Neve 1073 OPX (8 channels)
  • AEA RPQ (2 channels)
  • Audient asp880 (8 channels)
  • WA12 (3 channels)
  • Elysia xpressor
  • LA2A Compressor Clone
  • 1176 Compressor Clone


  • Genelec 8341A SAM (with GLM system)
  • JBL LSR6332
  • Yamaha HS5 
  • DAW/Converters/Control Surfaces:
  • Pro Tools Ultimate
  • Apogee Symphony IO MKII (16 channels analog, 16 channels via adat)
  • Avid Dock with iPad
  • UAD Satellite 
  • Headphone Monitoring Systems:
  • Furman HSD
  • Behringer x-16 (used as monitor console for bands larger than 4 individuals)
  • Plugins:
  • Plugin Alliance (Mix/Master Bundle)
  • UAD Collection
  • Waves Platinum Collection
  • iZotope RX
  • Slate Complete Collection
  • Melodyne 
  • And many more from various manufacturers


  • Gretsch 70’s USA Custom (white)  24×16, 13×9, 16×16 
  • Gretsch 50’s Round Badge with Yamaha style wood hoops (custom floral wrap) 22×16, 13×9, 16×16, 18×18
  • Yamaha 90’s Recording Custom (cherry red) 22×18, 10×8, 12×9, 14×14, 16×16 
  • Ludwig 60’s Classic Maple (blue/champagne sparkle) 20×16, 12×8, 13×9, 14×14 (resonant heads are taken off toms for concert tom sound) 
  • MIJ Vintage Kit (blue sparkle) 22×16, 12×8,13×9, 16×16 (no resonant heads on any of the drums) 
  • Snares: Gretsch USA Bronze 6.5×14, Gretsch 60’s USA COB 5×14, Gretsch Rosewood 8×14, Ludwig 70’s Acrolite 5×14, Nickelworks Custom Aluminum/Steel/Aluminum metal ply 5×14, Tama Starclassic Maple 6.5×14, Pearl JR Robinson Signature 3×14
  • Cymbals – many different models from Istanbul Agop, Zildjian, Sabian, and Meinl 


  • Martin 1995 000-1 Acoustic
  • Fender Precision Bass (USA)
  • Steinberger 1989 Q4 Bass
  • Fender Telecaster (USA)

Studio B Gear:

  • Logic Pro X
  • UAD Apollo Twin X
  • Yamaha HS8 Monitors